Two weeks into the COVID-19 (née coronavirus) pandemic and its attendant doldrums, I noticed some A-list singers were performing via Instagram from the discomfort of their homes. Chris Martin and John Legend were among the first to sign up to the One World: Together At Home initiative in mid-March, and more followed until it became the 100-artist global streaming event, dubbed the ‘Living Room Live Aid’, on 18 April.
The second and final day of the IPA Regional Seminar in the Middle East was opened by Sharjah publisher Bodour Al Qasimi (Kalimat Group), who is (among other things) also the IPA Vice-President.
When the IPA regional seminar in Amman, Jordan, got underway this morning there was a crackle of promise in the air. This was more than a conference opening – it was like the inauguration of a new bridge spanning the space between the IPA’s global membership and the Arab World.
By Jessica Saenger*, edited by Ben Steward. The ‘homocleansing’ of the Russian edition of Victoria Schwab’s Shades of Magic series offers a topical hook on which to hang the publishers’ dilemma about duty to authors and their duty to stay in business.
This month the hit American author tweeted her outrage at learning that her Russian publisher had ‘redacted the entire queer plot w/out permission’. She added: ‘I was absolutely horrified. Wouldn’t have known if not for a Russian reader who read both editions. Publisher in total breach of contract.’
There are two strands to Schwab’s indignation: the redaction – or censorship – and the manner of that redaction. Quite apart from normal contractual requirements, simple courtesy would dictate that any author deserves fair warning of significant plot changes, whatever the reason. If this didn’t happen here, then the publisher may well have infringed the author's moral rights and be in breach of contract. That is for Rosman and Schwab to work out, although unquestionably the writer is entitled to be upset at discovering by chance that her work had been mangled.
That said, Schwab would do well to take a breath and consider where best to direct her wrath.
Explaining itself in the Vedomosti business daily, Rosman admitted it had censored a romantic scene between two characters in the second book of the Shades of Magic trilogy ‘so as not to violate the law banning the propaganda of homosexuality among minors’. In other words, to avoid criminal liability and having the book wrapped in plastic and given an 18 rating in Russia – thereby losing a large chunk of Schwab’s target readership – the publisher did what the law wants and altered the offending scene. It is Russia’s oppressive gay propaganda law that lies at the root of the problem, not the publishers who obey it.
By André Myburgh*. Ostensible reassurances about the benefits of the introduction of ‘fair use’ in South African copyright law (Why fears about ‘fair use’ copyright law are unfounded) need deeper scrutiny.
Delegates at the World Intellectual Property Organization (WIPO) in Geneva spent this week discussing (for the 34th time) how to provide adequate intellectual property protection for the ‘traditional knowledge’ that is typically part of the cultural heritage of indigenous peoples.
Fridays at the SCCR are always unpredictable, and Friday 5 May was no exception. Yet whereas the usual drill is the final plenary dragging on late into the evening to enable time for a satisfactory closure, today was a little more mysterious.
For starters, there was more backroom huddling than open plenary debate at times when the sessions were theoretically meant to be live. The chamber stood eerily quiet for much of the day.
This was largely driven by the chairman, Daren Tang, who was anxious that his first SCCR should conclude with a substantive recommendation to the budget-setting WIPO General Assemblies, in October.
In his own words, the goal was to produce something more meaningful than the usual safe recommendation that the SCCR should merely keep strumming away at the incumbent agenda.
However, having resumed the final plenary at around 4pm, Tang then quickly adjourned it again to allow the national groupings to hold decisive in camera talks, and draw a confident line under the week’s work.
Today the SCCR talks ticked onwards to the ‘and persons of other disabilities’ part of the agenda item ‘limitations and exceptions for educational and research institutions and for persons with other disabilities’ (referring to non-visual impairments).
Committee Chair Daren Tang brought to bear his endearing blend of levitas and gravitas this morning as he started the day’s negotiations on ‘limitations and exceptions for libraries and archives’. As he did so, Tang reminded the delegates of the burden of responsibility they bear, something that’s becoming his signature patter.
He said their decisions ‘can make a positive impact on the lives of the millions of citizens out there who are in different countries struggling with different issues’, and that copyright ‘impacts the lives of every person’.
‘I hope that we will be able to move towards something that is constructive, something that is useful not just from the government perspective, but from the human perspective ... the connection of what we do here with the lives of those people will become a lot more apparent than it is now, will become a lot more positive than it is right now, and I believe that's the spirit in which we should work,’ he said.
The inference – intended or otherwise – is that the SCCR has a duty to put the greater good before self-interest and other less noble considerations.
Despite this, most of the delegates then stated again that an international instrument is the wrong approach, while pockets of the Global South want it. By the same token, content owners don’t see the point, while librarians and archivists vehemently do. It’s hard to see a way through this impasse, and indeed the Chair’s greatest task now will be to map such a route.
Today’s talks unfolded almost entirely behind closed doors during so-called ‘informals’, a setting usually employed to unblock a particularly tough impasse, when consensus on the floor of the plenary has proved impossible.
The informals, which take place in a separate chamber on the WIPO campus, are strictly for country delegations only. NGOs are not invited, but we can follow the audio feed from the plenary chamber provided we don’t report publicly what is said.
This approach enables the delegates to be freer and franker when wrangling over semantic minutiae that, ultimately, will form the substance of the text.
It was late afternoon before the committee returned to the plenary chamber to report on their talks. Chairman Daren Tang immediately poured cold water on the idea that a diplomatic conference on the broadcasting treaty was around the corner (see previous blog post). However, he did suggest the 'chair's text' be upgraded to a 'committee text'. This is a baby step closer to collective acceptance of the working document under discussion, which until now had only reflected the previous chair's personal attempt to provide a fair text.
Other than that, I have nothing much to write about what happened today ... so let’s look at tomorrow, when the IPA, with FEP and Bertlesmann, will stage a side-event with a difference.
SCCR 34 opened this rainy Geneva morning, if not with a bang, at least with the hope that proceedings could ‘swing’ under the leadership of the committee’s upbeat new chairman, onetime jazzman, Daren Tang.
After WIPO Director General Francis Gurry passed him the gavel, Tang, who is CEO of the Intellectual Property Office of Singapore, promised to do his best to yield results – particularly on the stickier agenda items.
Chief among these is the ‘protection of broadcasting organizations’, which has basically ping-ponged back and forth across the floor for 20 years, despite WIPO’s best efforts to drag it forwards.
Acknowledging the friction, Tang said: “The work has been challenging. Some of the items on the agenda as you know have been around for a long time and I will not deny that they challenge the spirit of openness, transparency and fairness. We hope we’ll be able to give this meeting and all the different agenda items in it the best possible airing, the best possible push.”
Tang also hoped that his perspectives and experience, coming from Singapore – “a bridge between East and West, North and South, developed and developing” – would help things along.
WHAT DO Alanis Morissette, Margaret Atwood, Bryan Adams, Marie Claire Blais, Michael Bublé, Sharon Pollock, Gordon Lightfoot and William Deverell have in common? Yes, they are all Canadian (eh?)
And so ends another SCCR marathon: hundreds of delegates locked in some 40 hours of discussion over five days; only God knows how many mini-sandwiches, cups of undrinkable coffee and MBs of data have been consumed.
The IPA put in a strong showing this time. For the first time ever the IPA delegation included its President (elect) and the Chair of the copyright committee. Add to that the Secretary General, our razor-sharp legal counsel and, well, me, and we were a distinctly visible presence in the crowd.
Having been wrapped in the copyright bubble since Monday and talked of little else between the hours of 9am and 7pm, I get a sense that there has been a definite shift in humour.
Frustration and possibly a vague embarrassment over the impasse has peaked and is spurring the chamber to action on the broadcasters treaty; the inside track is that a diplomatic conference may be announced as early as SCCR 34, from 1-5 May 2017.
Here's Carlo Scollo Lavizzari to tell you how he thinks it went:
Professor Daniel Seng returned to the chamber briefly this morning to field more questions and comments about his mega-study. A night’s sleep had clearly worked wonders on everyone, and the questions came thick and fast from all corners of the room.
Some delegates wanted clarifications; others suggested ways to improve the report. And it seemed that my prayers in Wednesday’s post had been answered when the Brazilian delegate spoke. In previous SCCRs Brazil has made a series of utterances indicating a distinctly ‘copyleft’ bent. But perhaps the wind of change blowing through Brazilian politics has arrived on this side of the Atlantic, as the delegate said: ‘In Brazil, this report will provide us with much food for thought in our ongoing internal debates about copyright law reform.’
Once Prof. Seng had departed (probably for a well-earned rest), the discussion moved onto exceptions and limitations for libraries and archives. One of the first interventions of the session was by the Nigerian spokeswoman on behalf of the African Group.
She said: ‘We believe it is simply time to determine a functional path forward, for the committee's work in this area. We strongly believe that the absence of a clear result-oriented timeframe for the committee — for the committee's discussion of the limitations and exceptions agenda — is more harmful than helpful to the work programme of the SCCR and the overall objective of the exercise.’
IPA’s legal counsel Carlo Scollo Lavizzari, a Swiss polyglot who’s well versed in diplo-speak, suggested that this statement could be read in two ways. Either the African Group wants to strike exceptions and limitations from the agenda altogether, since it is acting as a brake, or, more likely, they want to impose a strict timeframe in order to force a more urgent resolution.
The IPA team joined a US delegation breakfast briefing this morning, high up on the 13th floor. A superstitious person may have hesitated to attend, but this was a golden chance of valuable face time with some key SCCR influencers. At the table were stakeholders from all sides of the copyright debate: policy makers, consumer groups, librarians, lawyers and NGOs.
The morning began with a strategy huddle among the IPA-coordinated Creative Sector Organizations (CSO) group − a coalition of audio-visual, music and publishing industry representatives with a common goal: to protect creators, creations and creativity from attempts to weaken copyright.
As the world of international diplomacy hastily manoeuvres ahead of the looming Trump Era, delegates congregated at the World Intellectual Property Organization in Geneva this morning for the 33rd meeting of its Standing Committee on Copyright and Related Rights (SCCR 33).
Oh Google! You’ve done it again! You have taken a good idea—one that could help creativity–and once again blotted your copybook by antagonizing the creative community you profess to serve. Yet again you have turned a blind eye to the rights of writers and creators to serve your own ends, all in the name of “progress”.
The Geneva-based World Intellectual Property (WIPO) has now closed its 56th Assemblies of the Member States, which took an interim look at various areas of strategic interest to publishers.
The morning began with an alarming rumour circulating that today’s session might spill over into a dreaded 'late-nighter'. Was this the curse of Friday 13th?
