Actors have an amazing profession: on stage or in a movie they become a character, someone else than their own personality. The sky seems the limit on the roles you can play as an actor: rich or poor, introvert or extrovert, young or old, anything goes. But there are limits: White actors cannot play Black roles, male actors cannot become women on stage. But what about dimensions of diversity which are not so obvious? Can gay actors play straight roles, or the other way around? Not long ago the generally accepted answer would have been: absolutely. But today there is a diversity of opinion here.

The 8 September marks UNESCO’s World Literacy Day. The theme chosen by UNESCO for this year is Promoting literacy for a world in transition: Building the foundation for sustainable and peaceful societies. Literacy is the foundation for sustainable and peaceful societies.

A calmer but still bustling Day 3 which was no less important for IPA with the announcement of the 2023 IPA Prix Voltaire shortlist and a vital session on ‘lawfair’ that stifles freedom of expression.

When we talk to decision makers about the IPA’s dual policy pillars of copyright and freedom to publish, or about the publishing sector more generally, it can quickly become obvious that we need to specify what we mean by ‘publishing’ — how there are many kinds of publishers.

Two years ago, on this sad day, our publishing colleague, Lebanese publisher, Lokman Slim was assassinated. Lokman co-founded Dar Al-Jadeed publishing house in Lebanon with his sister, Rasha Al Ameer.

September 8 is UNESCO’s International Literacy Day intended to ‘remind the public of the importance of literacy as a matter of dignity and human rights, and to advance the literacy agenda towards a more literate and sustainable society.’

After the sunny days of summer, we should probably begin the fall publishing season by thinking about the positive outcomes that literacy promises us; thinking about those hopes that a literate society will hold onto; thinking about those books that are vitally important to readers in these challenging times of pandemic and war; thinking about those books that readers expect from us—the publishers. The world is moving faster than ever. Can we keep up? Can we still satisfy and surprise our readers?

In my region – the so-called post-Soviet space, currently in focus due to the ongoing brutal war in Ukraine – representatives of the cultural sector are often asked: "Should culture interfere with politics?!"

Answers vary but we cannot escape our recent experience of the nature, price, and consequences of the dictatorship we have lived through, fought, broken its strong walls, and emerged, scarred, from the ruins. This region knows that such regimes target the ability to think freely in order to achieve their objectives. People living here clearly understand that under dictatorships, politics will never ignore culture; they will never let it grow into an island of freedom. Dictatorship strives for "order". Freedom causes diversity, a kind of "disorder", which is vitally important for art but potentially disastrous for dictatorship. Therefore, a logical question arises: how can culture ignore such a dangerous opponent as politics?!

In reality, culture does not ignore politics. For centuries human minds have fought against slavish obedience and for the main purpose of human existence—continuous creation, continuous development, and continuous innovations. Bringing our learnings to the written page through books is a historic part of forming healthy societies but also the fight against the book and literacy. It is why two important focus areas of the International Publishers Association are so relevant: the freedom to publish and literacy. In the post-Soviet space (and other similar regions), independent thought and literacy are expected of people to resist relapse. Dictators in waiting imagine: "Once conquered, easily conquered again." But is this possible with people who have seen slavery, then tasted freedom, and have personally experienced the good and the bad of two completely different lifestyles?!

Michiel Kolman, Chair of the IPA's Inclusive Publishing and Literacy Committee talks to author, translator and publisher Lawrence Schimel about his children's books, their reception in different markets and the shared borders of freedom to publish and inclusivity.

Persian Twitter is filled with an image showing two different covers of the third-grade math textbook in Iran these days. One is from 2019 depicting two girls and three boys playing outdoors. The second one, that caused the storm of fury, is the 2020 version in which the two girls are deducted!

The second and final day of the IPA Regional Seminar in the Middle East was opened by Sharjah publisher Bodour Al Qasimi (Kalimat Group), who is (among other things) also the IPA Vice-President.

Between end of July and early September I had the chance of participating in several important events throughout Latin America. A region full of contrasts, where a wealthy, vigorous parts of society still coexists with undeserving levels of poverty. An assignment still to solve. Every country with a different, rich culture and traditions and enchanting people.

Every year I read dozens of manuscripts submitted to our publishing house. Unfortunately not all of them are as enjoyable or educating as I expect and only a handful end up published. Beside these books, that I don’t have any control in choosing, I have another ‘to read list’ that I cherry pick from prize shortlists, reviews in magazines and newspapers, friends’ and colleagues’ recommendations, or just authors I love!

What do Kenya, Germany and Korea have in common? There are all members of IPA, and during June I had the unique opportunity to make a two-week trip to all three of them.

Diversity and Inclusion comes in many different shapes and colors and this month, Pride month in many countries, the focus will be on LGBTI+, or Lesbian, Gay, Bisexual, Transgender and Intersex, where the plus denotes all other groups in an overall inclusive approach to sexual orientation and gender identity.

The first time I encountered a self-published book in Iran was about 10 years ago. My blogger friend tried to publish his first collection of short stories and faced a dead end with the book office censors. The whole book had a dark comedy theme and, as I remember, one of the protagonists was a rather stupid army commander. The authorities had told him that it is an insult to our “sacred military forces”. 

Days 1 and 2

Sometimes it happens that when you hear a lot of positive comments about an event. Your expectations rise, and you get disappointed once you see the reality.