The chair opened the last day of SCCR43 noting the sense of excitement in the room and the ‘spicy’ discussions around exceptions and limitations.
The chair opened the last day of SCCR43 noting the sense of excitement in the room and the ‘spicy’ discussions around exceptions and limitations.
Day 3 of the SCCR was dedicated to the discussion around exceptions and limitations focusing mainly on the preservation toolkit.
Hot on the heels of the Bologna Children’s Book Fair, a different kind of gathering for IPA - the 43rd sitting of the World Intellectual Property Organization’s (WIPO’s) Standing Committee on Copyright and Related Rights (SCCR) in a fine, but cloudy, Geneva.
The final day of this SCCR began with the Chair recognising a cloud of fatigue in the room and encouraging delegates to press on through the day to finish the week.
Day 4 of this 42nd meeting of the SCCR picked up exactly where Day 3 left off, with discussions on exceptions and limitations and observer organisations continuing their statements.
Day 3 of SCCR 42 opened with further discussion and analysis of the new text on the broadcasting treaty with the afternoon reserved for discussions on exceptions and limitations.
Following the eventful first day of SCCR 42, day 2 saw a slightly emptier conference hall pick up the SCCR 42 agenda. The broadcasting treaty was the agenda item of the day. Delegates seemed impatient to move on to this discussion after two years of delay and with a new text in front of them.
A blue sky welcomed back delegates to Geneva for the first face to face WIPO SCCR since 2019. An information session on the impact of COVID on the copyright ecosystem, election of a new officers and approval of observers were the headline discussion points for the day but the Russian invasion of Ukraine cast a shadow over the morning’s proceedings.
The hybrid 40th SCCR maintained the traditional schedule of a normal meeting and so reserved the last session for a quick review of the subjects which are vying for a position on the formal SCCR policy agenda: a miscellany it gathers together as ‘Other Matters’.
Those subjects are
The proposal for a study on public lending right was on this list for the first time following the request by the delegation of Sierra Leone at SCCR 39 (and since supported by Panama and Malawi).
The update presentations and reactions from delegates and observers was efficient and eerie, both. In full measure.
And with that, Mr Abdoul Aziz Dieng of Sénégal, thanked all of the participants, the Chair’s summary was read out, and the meeting closed.
Day 3 of the hybrid SCCR 40 saw the Exceptions and Limitations discussions take centre stage. Given the decision of Member States to limit interactions at this meeting to stock-taking, the main focus was on the 130-page report issued by WIPO following the three Regional Seminars held in 2019 in Singapore, Nairobi and Santo Domingo and the subsequent international conference held in Geneva last October. The IPA participated in all these events, gathering together local publishers and coordinating closely with representatives of other stakeholders, including authors and CMOs.
This first meeting of the WIPO Standing Committee on Copyright and Related Rights (SCCR) of 2020 is an almost 100% virtual affair, save for a handful of people in the plenary chamber in Geneva, with a dramatically reduced programme of a couple of hours per day, and with a promise of no normative (or law-making) discussions on any of the agenda items.
SCCR 39 concluded this evening with an agreement found on how to keep the Exceptions and Limitations discussion moving forward and the other agenda items wrapped up and a possible new issue raised in the chamber.
The second day of discussions on the broadcasting treaty were mainly conducted behind closed doors with the plenary chamber finally filling at 17:40 for a presentation of conclusions.
Friday at SCCR 38 was for “other matters” – copyright in the digital environment, resale right and theatre directors.
Following Wednesday’s jam-packed day of presentations and side-events, you could feel a drop in energy in the chamber today as a number of reports were presented.
Wednesday morning, before the start of the WIPO plenary session, IPA had two important meetings. Firstly, we were invited to take part in a regular briefing that the US delegation offers particular stakeholders at every SCCR. Secondly, IPA then met with the Asia-Pacific Group which includes Members States from a huge swathe of territory from the Middle East to islands in the Pacific. In a friendly meeting, we asked if there were reviews of copyright on the horizon among their members. We discussed the upcoming WIPO regional conferences (the first of which, will be at the end of April, in Singapore) as well as various other events and projects within their borders. These types of meetings are very important to ascertain current positions and plumb possible future shifts.
The second day of the 38th session of the WIPO SCCR, began with the regular meeting the IPA organizes on Tuesday morning for the representatives of the Creative Sector Organisations Group that we coordinate. On the 13th floor of the WIPO building with sweeping views up Lake Geneva towards Lausanne, we convened a meeting that included representatives of the music, film and collective management sectors as well as publishing. The purpose of the meeting is to brief those who had missed the first day’s action and to plan what we will do for the rest of the week.
Yesterday was the first day of the 38th session of the WIPO SCCR. If you need to re-familiarise yourself with what has happened previously and some of the WIPO lingo here are links to previous diaries, our jargon buster and the official SCCR page.
Today, we begin the week-long, 38thsession of the Standing Committee on Copyright and Related Rights (SCCR) at the World Intellectual Property Organization (WIPO). For those of you new to these conferences, we direct you to our summary of where we ended up last time (in November 2018).
IPA’s President-elect, Hugo Setzer, virtually opened the last day of SCCR 37 in a video prepared by the Accessible Books Consortium (ABC). Hugo spoke eloquently (in Spanish, with English subtitles) about accessibility issues as they affect his native Mexico as well as the global context.